Thiruppavai Thaniyan and Meaning of Taniyan

What is Taniyan

A taniyan is a composition glorifying a Guru, an Acharyan, or the author of a spiritual rendition. It is a song or hymn paying respects in cognizance of the reverential intellectual being.

In Tamil literature, according to their grammatical rules, there are prefatory verses/songs known as "Paayirams". These Paayirams are known as Taniyans in the Vaishnava Sampradayam.

Taniyan is composed at the beginning of any divine or literary composition. It has been an obligatory ritual to revere the great seers of divine literature before presenting their works in script form.

The name or title "taniyan" is a Tamil word. It combines the words "tani" and "yaan". Tani means that which stands alone or unique. The suffix of "yan" is an affectionate personification mark.

Thiruppavai Thaniyans

Thiruppavai taniyans are hymns composed in praise and reverence of Sri AandaL who provided us a holy composition of 30 hymns glorifying an observance known as "Paavai' or Vrat by performing which a devotee can attain moksha or reunion with God.

These taniyans were composed by ParAshara Bhattar and Uyyakondar swAmigaL during the 12th century and 9th century AD, respectively.

We sing ParAshara Bhattar's taniyan first and, then, 2 taniyans of Uyyakondar before starting Thiruppavai. In all, three hymns are sung before starting the Dhanurmasam Vrat.

I am presenting the taniyans in order of rendition, the first one from ParAshara Bhattar and the other two taniyans from Uyyakondar.

NeeLAtungastana giritatee suptamudbhOdhya krishNam

paarArthyam svam shruti shata Sirah siddham adhyApayantee|

svOcchishtAyAm sraji nigaLitam yaa balAkritya bhunktE

gOdA tasyai nama idamidam bhooya EvAstu bhooyaha|| (1)

Meaning:

Awakening Krishna who was resting on the breasts of NeeLa, and imparting him the truth of her own (Goda's) dependence on Him as established by the hundreds of hymns from the crowns of Vedas (namely Upanishads, Vedanta, etc.), Goda Devi forcefully enjoys Krishna by binding him with the flower garlands (which she tests herself by wearing them before offering to him).

I pay my respects to such Goda Devi again and again.

Here, Krishna was blissfully sleeping with NeeLa Devi when Goda Devi arrived to offer her services to Him. She reminds him of her dependence on Him (that she is living only to do services to Him) and thus binds Krishna with her love and bhakti.

annavayal puduvai AndAL arangarku 

pannu tiruppAvai palpadiyam innisaiyaal

pAdikoduttAL narpAmAlai poomAlai

choodi koduttALai sollu || (2)

Meaning:

Annavayalai refers to the Swan (annam) and paddy or green (vayal) fields. Puduvai refers to Srivilliputtur where AndAL was born. Goda Devi was born in the beautiful place of Srivilliputtur where there was an abundance of paddy fields and lakes full of swans, She offered a garland of melodious Thiruppavai songs and garlands of flowers to God. Let us pray to her (sollu) and sing her poems.

Goda Devi was born and walked through the green fields of Srivilliputtor like swans. She composed the beautiful Thiruppavai Paasurams and sang them melodiously to God Sri Krishna. She offered Him flower garlands, after wearing them with love, and thus bonded Krishna to marry her. Let us pray to her and sing her songs so that she can lead us to Moksha.

choodi kodutta sudarkodiyE tolpAvai

paadi yaruLavalla palvaLayAi naadi nee 

vEnkadavaRku ennai vidhi enra immAtram

nAm kadavA vaNNamE nalgu || (3)

Meaning:

O AndAL, shining like a flare of lightning, you are the first one to offer garlands adorned by you to God! You composed songs and sang them melodiously like the sounds of beautiful bangles to please God. Just like you obtained Lord Venkata's grace, please take us also to His abode with your graceful guidance.

Goda Devi was the first blessed being to offer garlands worn by her to God. She tested the flower garlands by wearing them on her neck and around her bun (she used to tie her hair into a bun similar to Krishna who used to wear a peacock feather in his tied-up bun). So the embedded hair of Goda used to glow like a lighting spark. Her colorful bangles used to make beautiful sounds while she sang her composed hymns. Lord Venkateswara refers to Lord Krishna as both are the forms of The Supreme God.

So, above are the important taniyans to be recited while performing the Thiruppavai recitation. Even though these taniyans are perhaps intended for the Dhanurmasam Vratam, I sing these three taniyans daily during my everyday worship. These three taniyans and the concluding hymns from Thiruppavai (Paasurams 29 and 30) are performed by me daily. It gives much satisfaction.